June brings a run of key Midwest and West Coast dates, including The Sylvee in Madison on June 12 and Landmark Credit Union Live in Milwaukee on June 13. On the West Coast, Dillstradamus will take over San Francisco’s Bill Graham Civic Auditorium on June 26 and Los Angeles’ storied Hollywood Palladium on June 27. The itinerary continues into the summer with a July 24 stop at Showbox SoDo in Seattle and a July 25 appearance at San Diego’s LED Day Club, before wrapping, as currently announced, with an August 22 finale at Mission Ballroom in Denver. Additional festival plays and add-on dates could still surround the main run as the 2026 season develops.
For fans who have followed Dillon Francis and Flosstradamus since their early 2010s rise, the announcement marks the full-scale return of a collaborative project with genuine history behind it. The Dillstradamus name first surfaced around 2012, when the pair began jumping on afterparty bills together, turning late-night club slots into full-on trap riots. In 2013 they brought the concept on a global headline tour, helping cement both acts as central figures in the then-exploding trap and festival bass movement. Their 2017 single “Tern It Up” became a set-list staple and fan favorite, further locking Dillstradamus into EDM lore. In the years since, the project has popped up only for scattered surprise b2b sets and onstage teases, keeping demand high for a proper tour.
The 2026 routing leans heavily on venues known for strong production and engaged dance crowds. Rooms like Bill Graham Civic Auditorium, Mission Ballroom, Terminal 5, Radius, and Hollywood Palladium are fixtures on the circuit for major electronic tours, large enough to support big-room lighting, visuals, and full-scale CO₂ moments while still maintaining the club-like intensity that Dillstradamus thrives on. Many of the shows are listed as 16+ or 18+ events, signaling late-night atmospheres closer to true club shows than mixed-age festival slots, and promoters are positioning the dates explicitly as Dillstradamus experiences rather than just another Dillon or Floss headline stop.
Tickets follow a tiered presale rollout. Artist presale begins Thursday, January 29 at 10:00 a.m. local time, generally accessed via codes shared through the artists’ mailing lists and social channels. Local promoter, venue, and additional presales follow later that day, with Spotify presale windows opening in the afternoon for fans who regularly stream Dillon Francis and Flosstradamus. General on-sale is set for Friday, January 30 at 10:00 a.m. local time in each market. With a relatively tight list of dates and venues that both acts have sold out individually in the past, early demand is expected to be strong, especially in Los Angeles, Chicago, New York, San Francisco, and Denver.
The timing aligns with an active period in Dillon Francis’s solo career. Over the past year he has rolled out a series of collaborations with Grammy-winning producer Albert Hype, house mainstay Marten Hørger, and rapper iann dior, while continuing to tour off a catalog that includes 2014’s major-label debut Money Sucks, Friends Rule, 2015’s This Mixtape Is Fire, 2018’s Spanish-language album WUT WUT, 2019’s Magic Is Real, 2021’s Happy Machine, and 2023’s This Mixtape Is Fire TOO. Outside the booth, Francis has expanded his presence into comedy and television via the Funny or Die series “Like and Subscribe” and Viceland’s “What Would Diplo Do?,” building a personality-driven brand that fits naturally with Dillstradamus’s irreverent tone.
Flosstradamus remains one of trap’s foundational names, widely credited with helping move the sound from small rooms into main stages during the early 2010s. Recent touring has kept him in steady rotation at clubs across North America, with fan reviews consistently highlighting high energy, aggressive drops, and crowd-control skills that turn even modest rooms into full-scale mayhem. For longtime followers who discovered trap through early Flosstradamus edits and festival performances, a dedicated Dillstradamus tour represents both a nostalgia hit and an opportunity to hear how that sound has evolved in 2026.
Musically, fans can expect the shows to lean hard into trap, festival bass, and hybrid selections that blur lines between Dillon Francis’s more melodic, house-leaning catalog and Flosstradamus’s heavier, rap-adjacent cuts. Past Dillstradamus sets have bounced from classic trap anthems to moombahton throwbacks, hip-hop edits, and tongue-in-cheek curveballs, often punctuated by custom visuals and on-mic banter that never loses sight of the project’s “100% fun guaranteed” ethos. The b2b format naturally pushes both artists into more spontaneous territory, with each reacting to the other’s choices in real time rather than following rigid pre-planned set lists.
In a crowded 2026 touring landscape, the Dillstradamus North America run stands out as one of the rare full co-headline projects built around a true back-to-back concept rather than alternating solo sets. For bass and trap fans across the U.S., the message is straightforward: if you want to see Dillon Francis and Flosstradamus operating at their most unfiltered together, this is the tour to circle on the calendar—and based on venue sizes and early buzz, it may not be one you can wait to buy tickets for.
